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青銅x瓷韻:周秦文明的當(dāng)代表達

2025-07-10 09:53:23   


EN:Around the world, cultures are facing the same question:

How can tradition remain alive in a modern world?

中:當(dāng)今世界,不同文明都在面對同一個課題:

如何讓傳統(tǒng)在當(dāng)下“活”起來?

EN:

In Baoji, a city in western China known for its archaeological significance,

a young designer is attempting to bridge this distance.

His name is Tan Jinxuan. His aim: to bring the language of bronze into everyday life.

中:

在中國西部、因青銅重器而著稱的寶雞市,

一位年輕設(shè)計師正在嘗試縮短這段“歷史的距離”。

他叫談瑾軒。他的目標(biāo),是讓青銅器的語言走出博物館,走進生活。

EN:

Tan’s approach involves an unusual combination:

the ancient motifs of bronze vessels,

and the porcelain techniques of Jingdezhen — China’s centuries-old center of ceramic craftsmanship.

He believes the future of heritage lies in collaboration.

中:

談瑾軒選擇了一種不尋常的路徑:

將青銅器上的古老紋樣,

與景德鎮(zhèn)千年陶瓷工藝結(jié)合。

他相信,文化的未來在于跨界合作。

EN:

Over two years, his team digitised patterns from ritual bronzes such as the He Zun and Lai Pan,

then adapted them for porcelain surfaces — a challenge involving heat, chemistry, and precision.

Many attempts failed. Some cracked. Others blurred.

Eventually, a method emerged.

Bronze motifs could be transposed — not exactly replicated, but reinterpreted — in glaze, carving, and form.

中:

在兩年時間里,他的團隊將何尊、逨盤等青銅器上的紋樣數(shù)字化,

并嘗試將其轉(zhuǎn)譯為陶瓷圖案。

這是一場關(guān)于溫度、化學(xué)反應(yīng)與細(xì)節(jié)控制的挑戰(zhàn)。

很多次嘗試都以失敗告終:有的開裂,有的圖案模糊不清。

最終,他們找到了一種路徑——

青銅的語言可以被轉(zhuǎn)寫,不是簡單復(fù)刻,而是以釉彩、雕刻與造型進行再表達。

EN:

The result is a series of functional objects: teaware, writing tools, display pieces —

all rooted in heritage, yet shaped for modern use.

The line is called “Ceramic Echoes of Bronze.”

中:

最終成果是一系列可使用的器物:茶具、文房、展示器皿——

它們源于文化,卻為當(dāng)代生活而設(shè)計。

這個系列被命名為“禮樂瓷韻”。

EN:

In a country with over 5,000 years of history,

preserving the past is a constant effort.

But initiatives like Tan’s suggest that preservation may also involve transformation —

not only keeping heritage intact,

but allowing it to evolve in new forms, new materials, and new contexts.

中:

在這個擁有五千年歷史的國家,

保護傳統(tǒng)始終是一項持續(xù)的任務(wù)。

而談瑾軒的嘗試也許提供了另一種可能:

傳承不一定意味著原樣保存,

它也可以是在新材料、新載體和新場景中延續(xù)文化的生命。

EN:

This is not just about bronze or porcelain.

It’s a small but telling example of how younger generations in China are engaging with tradition —

not by looking back, but by building forward.

中:

這不僅僅關(guān)乎青銅或瓷器。

它是一個細(xì)微卻有力的例子——

中國的新一代如何理解傳統(tǒng),不是簡單回顧歷史,而是在轉(zhuǎn)化中前行。(王丹、聶文濠

 


來源:中國農(nóng)科新聞網(wǎng)
編輯:周俊鵬
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